Revelaciones Mundanas en la Pintura de Débora Arango

Abstract

There is a strange closeness, imaginarily; woven between our efficiency and the world of Débora Arango to enter in scene the art of Débora Arango, also enter your morals and ideology, to paint a world, making it symbol in the Middle aesthetic; the experience and creation of the painter, are updated as a renewable meaning in the history of this country.

The text develops reflexivity through a sight of some paintings of Débora Arango, constituting two series: on the one hand the nudity female, and on the other one, scenes of everyday life. It is intended to demonstrate a plot of meaning between the visible and the invisible, between art and certain social features defined in time; Deborah will tenancies, jails, streets or bars, welcoming with fury to the life of the people to transform it into paint that looks Pagan, or evidence of the transformations that the capitalist city motivates humans, delivering it again his humanity to people that are not worthy of entering the painting.